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David Lynch

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Film Director.

David Keith Lynch (born January 20, 1946) is an American filmmaker, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", a style characterized by its dream imagery and meticulous sound design. The surreal, and in many cases, violent, elements contained within his films have been known to "disturb, offend or mystify" audiences.

Born to a middle-class family in Missoula, Montana, Lynch spent his childhood traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was critically acclaimed.

Next, Lynch created his own television series with Mark Frost, the highly popular murder mystery Twin Peaks (1990–1991); he also created a cinematic prequel, Twin Peaks: Fire Walk with Me (1992), a road movie, Wild at Heart (1990), and a family film, The Straight Story (1999) in the same period. Turning further towards surrealist filmmaking, three of his subsequent films operated on "dream logic", non-linear narrative structures: Lost Highway (1997), Mulholland Drive (2001) and Inland Empire (2006). Meanwhile, Lynch embraced the internet as a medium, producing several web-based shows, such as the animation Dumbland (2002) and the surreal sitcom Rabbits (2002).


Sources:

1.) The Religion and Film Reader. Routledge. 2007. p. 3. ISBN 9780415404945. "Or when a self-professed atheist like David Lynch creates a film that pretends to ignore religion and yet deals directly with "ultimate significance," as Paul Tillich phrased the category of the religious, how do we consider it?"

2.) Falsani, Cathleen (January 16, 2005). "Lynch: ‘Bliss is our nature’". Chicago Sun-Times. "Lynch says while he adheres to no particular religion himself, he respects all religions."